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Recent Articles by Michael Roberts

National Features >

  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

Katy Perry

One of the Boys
(Capitol)

By Michael Roberts

Published on July 24, 2008

Katy Perry's capable of remaking herself for any promising target demographic. In her teens, she delivered achingly sincere contemporary Christian fare that didn't turn out to be achingly sincere after all, and her One of the Boys persona — flirty, snarky tart — feels equally phony. The production, by a gaggle of gimlet-eyed industry sharpies, is airless and vacuum-sealed, transforming tunes such as "Mannequin" and "Ur So Gay" into assembly-line fodder. As for "I Kissed a Girl," it's proof that a gal-crooned tune with that title will become a hit once a decade whether it's strictly advisable or not. Of course, Denver native Jill Sobule was cast as a novelty after her like-named ditty scored — but if Perry suffers the same fate, she can just change styles again. Opera, anyone?



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